Results tagged “antidote” from Andy Best
I just created a new feature for the blog, a google map with photos and info of my neighbourhood. Check out the pages sidebar immediately. Not only that - I am about to lay out the case for why it is the ultimate neighbourhood for true hipsters. As you will see, this area includes Yuyintang and other significant scene spots too.
First of all. Yes, you can play with the map from the page and it's cool and embedded. But, I've got to be completely honest, it's much better of you click the link to the larger version.
So, what's the deal with this Xinhua area? First of all, it's downtown - inside the inner ringroad and a desirable part of town. Then, it's off the tourist map so mercifully free of tourists and ... other hipsters. I have lived around here for six years. The places I'm about to describe are all within walking distance of each other. This is a small sampling.
We have:
Yuyintang Live House the premier venue for local rock, indie and punk.
Logo Music Bar the premier hipster hangout
C's Bar the premier dive bar and spiritual home of Antidote
Sus2 Music Bar the originals, now running a laid back cafe version right here
Rehearshal Rooms one of the famous band rehearsal spaces is on the east side of the block at Huashan lu/Huaihai lu
Sofa Cafe modern wifi hangout with great food
Marco Polo Cafe and Bakery small ultra hip place on the Xinhua garden street
Banyan Tree Cafe Chinese style wifi cafe on Fahuazhen road
Xinhua Road conservation area and lanes (Xinhua Bieshu) Our beautiful tree lined main strip and surrounding lanes. Former British and German suburb that includes the former home of J. G. Ballard - this area was also a playground for neo-colonial fetish of the month, architect Laslo Hudec. Perfect for inspirational literary strolls and free of tourists. You can live in them too, I spent two years in a beautiful terrace right on the strip for 1500rmb a month (shared).
Affordable Housing my friend Anthony had a perfectly good place here for him and his GF (now wife) for 1500 rmb a month all in. And this is a nice downtown area. You can even get a modern style two or three bedroomed place for 2000-2500 rmb a month in the infamous Fanyu Dasha ghetto towers. Split three ways that's cheap. And Anthony's 1500 place could house two people, or even three with a room share of the big room - if you're young and struggling. Ideal for hipsters and young uns alike.
Come and check it out, live here even. Who knows what the place will be like even two years down the line - this place changes fast.
Endnote: this is my 50th post in the music scene category. Hooray.
They are not keeping up with That's Shanghai's amount of scene coverage from last month, but the latest issue of City Weekend features three columns on the music scene.
First up, all these articles should now be available in the magazine section of CW's website: here
The Shanghaiology Small Talk feature is an interview with Brad Ferguson that mainly covers this old news. Having it in print will definitely help stick it to his old boss more, which is actually causing some regrets as a new overseas manager has been brought in who is innocent in all this. Then again, the new guy is doing dance music. The interview throws in the usual scene analysis questions to which Brad remains calm and measured:
The scene will develop at it's own pace.
Next up is a small feature in the nightlife section called Size Matters. In it, Abe Deyo goes over some issues with venues, or lack of them, in the city. This one is definitely up at the website now if you follow the link. And why not leave a comment? There's some good columnists hanging around the site and a bit of love will surely encourage them to write more posts on top of the print versions.
Finally, following Aric Queen's departure, The Beat column has been taken over by Dan Shapiro. Here's Dan's band The Rogue Transmission. When the column was first started with DJ Michael Ozone of Antidote writing, it was clearly a music scene column. When Aric took over it shifted away from electronic music and DJs and focused more on rock and indie. By the time Aric left it was mainly about bars in general. Dan had been presenting Aric's The Beat vidcasts and doing some writing at the site so in someways there's continuity. I hope that Dan's direct involvement in the scene as an artist as well as an organiser and commenter will turn the column back into a true music scene column. Of course, we just had August and something needs to happen again before anyone can write about it.
The same time I was reading City Weekend music scene columnist Aric Queen's official last column in the new print edition - takes breath - there was also an episode of Everybody Loves Raymond playing in the same room. It was an episode where Ray, a writer, gets caught writing an obituary for his still living father for practice. So, I'm going to blog Aric's official departure from the scene as if he was dead/gone for good.
Aric Queen was recently known as a scene pundit of sorts through his column The Beat. Despite it being on the English speaking periphery of an already small scene, the column still managed to provoke debate and a few storms in teacups along the way. A notable example of this was the column following up on strong shows at Tembo that asked if Brad Ferguson was the saviour of the Shanghai music scene. A lack of experience with English expressions and journo-hyperbole led folks at Yuyintang to take it as a slight on their own efforts.
After taking over the column from the DJ-centric Michael Ozone of Antidote, Aric brought his local live music agenda with him. Recently, though, burnout settled in and the column increasingly fell back to generic posts on the ex-pat bar scene. With only one print column a month, most of this year was spent wondering why girls kiss each other at parties and other related topics. A column wondering if it was "gay" to cry at a Black Eyed Peas show caused a predictable (and justified) ruckus. Around this time, Aric also broke onto Current TV with his Shanghai Diaries v-log. This was not music related. This month's final column announces his departure into greener pastures.
Now for what a lot of newer arrivals to the scene don't know about Aric. Aric Queen was an extremely talented, and professional, voice artist/presenter whose Gig Shanghai project is the sole largest missed opportunity the scene ever had. I still miss it. It's easy to start a website or blog and write about the scene, just ask me. It's not easy to maintain a good one. You need the time and resources to create a strong lead feature and publish it often. Gig Shanghai had it all.
Aric was working for Ken Carroll at Chinese Pod as an English presenter for some of their podcasts. Gig Shanghai was then started within this professional environment. They had their own studio and employees at the company to do research and bookings. The site was simple and effective with good branding and a simple clear style. They had a single strong feature, the podcast, and produced it every week. And it was good. After a few weeks it hit it's stride and expanded to include a Chinese language program too. The future looked bright and it all hinged around Aric's considerable skills in the host's seat.
It all collapsed as quickly as it had taken off. The process of expanding into a fully fledged video show in effect killed the podcast. The new show Giglive didn't pan out and had been funded through a venue as a promotion, a move away from the Carroll stable. Everyone walked away and the greatest web project on the scene died a quick death.
When Aric resurfaced with the CW column and a freelance producer mantle, he was already jaded. But, the skills on show during Gig Shanghai stuck in my mind and we (me and Cameron Hirst) approached him to present a demo project of our own - FNU. We made it to use as a demo and involved Aric in all parts of the process. We had a good time and got to see the Aric skills in action, reminding me again of what could have been. It was a joy to work with a pro and I finished the project wondering what had happened to this guy who was now mainly know as "The Columnist You Love to Hate - Mostly Hate". Attempts at a low rent revival of the pod/vid cast in the CW blog of the column just seemed to underline the transformation.
Of course, Aric is not dead and I for one hope his trip brings him back to us refreshed and recharged. It takes all types to make a vibrant scene even people you love to hate.