Results tagged “beijing” from Andy Best
I really loved the band. Pupu is, of course, a big part of what makes their act amazing, but they work impeccably as a team. They definitely sounded like they'd been working together for the five years they've been around, offering up a tight set with lots of changes in mood. They're loudThen we have a review at Beijing Noise. Read it here.
Enigmatic frontmen are rare in rock these days, yet Pupu excels, controlling the microphone and the crowd with easeAnd here is the review from Beijing City Weekend magazine.
And while emo may evoke strong love/hate sentiments in many listeners, there is little question of Mushrooms utter mastery of the genre. They set the crowd alight with their first song, and left the audience similarly exhilarated with their final song, a rap-cover hybrid of 4 Non Blondes' classic: "What's Going On." In between, their well-structured set moved from heavier rocking numbers to slower, ballad-like territory. Lead singer Pupu is an electric performer: loose lipped and almost mime-like in his facial expressions, he spent the set jerking about violently, looking at times as if he was bawling, at others as if he was clowning around in class.Good job guys. Reading through the reviews in full you get the impression that the gig was well attended for a band people in Beijing don't know and that despite scene cynicism and unfamiliarity The Mushroom's superior qualities were undeniable. And everyone was impressed with Pupu. That's not a surprise though.
Most countries with music scenes have one or two industry centres or a defined main scene. Here it has to be Beijing with the most bands, the most developed bands and the labels.
Smaller city scenes that break out or get fame tend to be associated with a type of music. Take the Manchester or Liverpool sounds or the classic example of Seattle. Say "the Seattle scene" with no other context and people will think of the Grunge style. I'm sure there were other good bands playing but that's what people associate it with.
Of course, within the grunge scene and the Seattle gold rush there were diverse sounds, but that's how it played out.
So what I was thinking is: What about Shanghai?
There have been brief sparks that died again or have yet to really ignite. At one point Banana Monkey were going to lead the modern Brit-rock charge. Top Floor Circus are inspirational but they haven't inspired. Fans of legendary track Karaoke Forever (a local dialect play on words that means never go to karaoke) still go to KTV, they just think the song is funny. The Jiaoban bands signed with Indietop and haven't released a significant album between them 18 months later. There are many more examples.
So who is getting it together in Shanghai as poised to take advantage of a potential scene elevation?
I think it has to be the Miniless collective.
The reason: these groups have kept their eyes on their music and followed through. Now we have top quality albums, in both material and production, out from Fading Horizon, Lava Ox Sea, Muscle Snog and Eight Eye Spy - with Boojii not far behind. All these acts are different in their own way but they share organisation, images and philosophy. Most importantly they now have top quality recordings that can be accessed outside of the scene. After all, when a scene gets noticed or named it is by definition done so from outside and usually by the main hub.
If you were based in Beijing and were asked to comment on the Shanghai scene what would you say - as a kind of defining soundbite? Well, now they have those five CDs to get excited about and here's the thing. Muscle Snog, Eight Eye Spy and Boojii all went to Beijing to record - these are the bands getting signed up by the main hub. So think about it.
Perhaps this time next year Self Party and LOS may sell out a show at Yugong Yishan, full of fans eager to see a 'Shanghai sound' Miniless act.
Bon TV is the Blue Ocean Network. They make TV shows about China in English. Recently, China Music Radar have been watching.
First they checked out a talk full of platitudes and stereotypes that failed to even mention a single band in the first 45 minutes and were not impressed. Here .
Then they came across something much better.
Andrew Field is someone with a brain. That's an expression that means he is thoughtful. Obviously. He has made a Beijing scene based documentary called Notes From The Chinese Underground and appears on Bon TV to give an hour long interview about it.
Both parts can be watched at CMR here.
Watching the interview I was blown away to actually see someone who knew the scene properly and who blew off the types. He even made a point of saying that people always look for the Chinese-ness and judge the music on that, then makes a good case as to why that's misguided. This is well worth sitting through, although nothing new to people who know the scene well. We'll have to look out for the movie too.

On his blog, Shouwang wrote about a dawn trip by him and a friend to the square, where they milled around for a while. The police noticed them, saw them as suspicious-looking characters and placed them in the back of a police van, from where Shouwang looked miserably at the square in the rising morning light. The result was one of the most popular songs on their debut album, in which he sings: "This is a square without hope."
... and then ...
One of the things that Shouwang reacts against is Internet censorship. On Carsick Cars' second album, there is a instrumental song with the classic title of "The Firewall Killed My Cat." Without lyrics or any particular sentiment, the song may be beautiful, but it is hardly talkin' about Shouwang's generation.
Well he kind of is. In fact, he did.
*2002年05月,现任贝司手加入,乐队成员形成稳定状态。
If you really want to splash out, you can hire a table and play dice using a Chivas Regal-branded cup. In fact, it's hard to find anything in the club that isn't Chivas Regal-branded, evidence of Chinese youth's attitude to corporate sponsorship. Almost everywhere else in the world, it's seen as (at best) a necessary evil, a pollutant of artistic integrity; here it is actively welcomed, and not just by superclubs.Exactly. At best, evil and a pollutant of integrity. He is wrong in attributing it to the Chinese youth at large though. But what worries me is it's general acceptance here among the foreign contingent who are supposedly more aware of this. Of course, as I've pointed out before, a lot of 'ex-pat' writers and players on the scene here willfully and happily work in PR, Advertising and probably think there's nothing wrong with it. In fact, they are being paid to actively promote it.

The China underground music scene has many genres and trends, like any other. Big at the moment is either Kinks/Libertines/you-know-what-I-mean Brit rock or post-rock experimental. However, with a seismic change about to happen back in the UK, it may be Hedgehog that have the last laugh.
As odd as it sounds, there is a Yorkshire grunge scene and its best bands are now coming out with records. They range from obviously Nirvana-esque to a bit more musical in the Soundgarden vein. And they're all great.
So, while I'm supposed to be not posting for two weeks, here are some more listens for you:
Hedgehog (Beijing)
Yorkshire Grunge:
Dinosaur Pile-up - "My Rock'n'Roll"
The Old Romantic Killer Band - "Trouble Causer"
The Tempus - "Theives and Lovers"
Wonderswan - "Cut It"
Pulled Apart By Horses - "I Punched a Lion in the Throat"
Read this Guardian article about the same thing.