Results tagged “dan shapiro” from Andy Best
Rather than inviting the likes of Them Crooked Vultures, The Raveonettes, The Hives, HIM, Turbonegro and Rush to Shanghai, pavilion organizers have settled for a rather dull program of events, ignoring their obvious political guanxi and ability to book cutting-edge artists, instead blandly appeasing local censors. Beginning with the country that invented rock 'n roll, punk and country, the U.S. has decided to abandon its musical roots, opting for a number of choirs and orchestras to represent the land of Chuck Berry, CBGB and the Grand Ole Opry. The U.S. State Department is hosting Herbie Hancock on May 13 and Ozomatli on May 20, but it's still unclear whether Herbie will play "Rockit" or if Ozo will take it to the streets.Exactly. In fact, as many people are now pointing out, there has been a recent influx of great international acts - playing local venues by themselves or as offshoots of domestic festival dates. Many of them are still to play. The fact of the matter is that the Expo is an annoying business and PR event and that organizers on the local scenes are already doing a much better job at putting on cultural events without any funding or extra motivation.
Factory is temporarily suspending its activities while undertaking a strategic review to refocus and further develop its creative core.
If you really want to splash out, you can hire a table and play dice using a Chivas Regal-branded cup. In fact, it's hard to find anything in the club that isn't Chivas Regal-branded, evidence of Chinese youth's attitude to corporate sponsorship. Almost everywhere else in the world, it's seen as (at best) a necessary evil, a pollutant of artistic integrity; here it is actively welcomed, and not just by superclubs.Exactly. At best, evil and a pollutant of integrity. He is wrong in attributing it to the Chinese youth at large though. But what worries me is it's general acceptance here among the foreign contingent who are supposedly more aware of this. Of course, as I've pointed out before, a lot of 'ex-pat' writers and players on the scene here willfully and happily work in PR, Advertising and probably think there's nothing wrong with it. In fact, they are being paid to actively promote it.
"The main idea is basically this whole factory is being underwritten by [local advertising agency] Profero. It's all about content, content, content," explains Sean Dinsmore, The Factory's Creative Director. "Looking at it from this angle it makes it a lot more manageable. Looking at it [ just] from a music label point, it's fiscal suicide. "It's totally transparent for musicians," says local singer / guitarist Dave Zhao, whose interest was piqued by The Factory's unique approach. "They can record the songs here and then bring the songs to the advertising company to see if they're interested in them."
That's right.
I'm sure most of my readers are familiar with Bill Hicks. Maybe not. He was an American comedian who was tragicaly struck down by cancer at just 32 years old. Anyway, Bill was big on music, especially rock and independent music. He paraphrased this many ways during his shows but we can get the basic gist here:
Rock stars doing Pepsi commercials? Are we living in Reagan's wet dream? Let me say this, just once so we can set it in stone. Anyone who advertises a product on TV should be struck off the artistic register for ever. I don't care if you are shitting Mona Lisa's in your sleep, you have made your fucking choice. You are sucking satan's cock. You can't be trusted anymore.
If there is no existing structure, industry or community for music in your city. Build one. People are doing it. Accept that there's no chance to 'make big money' from it at this time and just make your music.
Just stay away from that big scaly member.
Update: the MP3 player for Pinkberry is now 'after the jump' so click into the post to hear the song.This show is a great way start to the Chinese New Year Holiday, although, unfortunately, you'll be forced to endure yet another Pink Berry set (seriously, this band has already played like 42 gigs in 2009), but atleast it gives you 30 minutes to run to Kedi for some cheap beer.
why-oh-why do so many bands have to go for a Chinglish moniker? QueenSeaBigShark, I'm pointing the finger at you, tooQueen Sea Big Shark are actually called 后海大鲨鱼Houhai Dashayu and their English name sounds pretty cool to me. You can read the whole feature online here: Beijing bands attack Shanghai.

OK you're a pseudojourno writing about Shanghai's underground (in quotes dripping with cynicism) sceneThen it kind of meanders through several 'types' simultaneously attacking and defending them before ending with a plug for a show at The Shelter. I had to read it six times to try and understand exactly what the through-line/point was. I still don't know. Anyone care to hazard a guess in the comments? Does anyone have inside knowledge as to what the post is referring to?



Yuyintang, which has basically become Shanghai's only real (and consistent) livehouse, had just announced its November line-up and rock fans are in for a seriously awesome month.

They are not keeping up with That's Shanghai's amount of scene coverage from last month, but the latest issue of City Weekend features three columns on the music scene.
First up, all these articles should now be available in the magazine section of CW's website: here
The Shanghaiology Small Talk feature is an interview with Brad Ferguson that mainly covers this old news. Having it in print will definitely help stick it to his old boss more, which is actually causing some regrets as a new overseas manager has been brought in who is innocent in all this. Then again, the new guy is doing dance music. The interview throws in the usual scene analysis questions to which Brad remains calm and measured:
The scene will develop at it's own pace.
Next up is a small feature in the nightlife section called Size Matters. In it, Abe Deyo goes over some issues with venues, or lack of them, in the city. This one is definitely up at the website now if you follow the link. And why not leave a comment? There's some good columnists hanging around the site and a bit of love will surely encourage them to write more posts on top of the print versions.
Finally, following Aric Queen's departure, The Beat column has been taken over by Dan Shapiro. Here's Dan's band The Rogue Transmission. When the column was first started with DJ Michael Ozone of Antidote writing, it was clearly a music scene column. When Aric took over it shifted away from electronic music and DJs and focused more on rock and indie. By the time Aric left it was mainly about bars in general. Dan had been presenting Aric's The Beat vidcasts and doing some writing at the site so in someways there's continuity. I hope that Dan's direct involvement in the scene as an artist as well as an organiser and commenter will turn the column back into a true music scene column. Of course, we just had August and something needs to happen again before anyone can write about it.
I went down to the recently moved Windows Underground bar last night to see the famous Beijing punk band, Joyside. This was part of a special event called Get in the Van and features a three band bill then a free minibus over to another bar for dancing and DJs. This was the second van event, both organised by Dan Shapiro who fronts the band, Rogue Transmission. As well as Joyside and Rogue Transmission the line up featured folk-punk act Boys Climbing Ropes.
Joyside are huge here and the venue filled up. However, my night was basically ruined by the curse of the 'bar gig'. It's a strange affliction that affects normal 'venue' gigs in the underground scene too. They seem to operate by different rules that may suit some people but just not me.
Why can't shows start on time? Coming late to a show and missing some of the support act is normal and not a big deal. This one was door at 9 then start at 10, but they waited until 10.45 presumably until it filled up more. So, i'm fine with multi act bills, especially in a smaller local scene - but - it drives me nuts when they become triple headliners or sometimes quadruple and more. Have a bunch of support acts but don't hold back the whole show for them to get more people in and, for god's sake, don't let them play full sets.
So Rogue Transmission plays a solid traditional rock set but it was basically 12.00 midnight, Euro 2008 about to start on TV and me starving to death. Yes, 12.00 at a show where the door opened at 9 and the second support act was just warming up. So I missed half of Boys Climbing Ropes getting something to eat then came back in time for Joyside.
And ... the sound was awful, I couldn't hear the lead vocals or the guitar, and Joyside were wasted and all over the place. Let down. Not to mention that half the people there were from the 'party crowd' who looked ready to hit the bund clubs after the show. Joyside are huge, like I said, and their real fans still loved every minute of the show.

Me, Dan Shapiro and Little Punk of Boys Climbing Ropes.