Open commenting is new to the blog and I'm not sure how many readers are checking back in. The last post on festivals brought some excellent reponses from That's Shanghai music writer Lisa Movius and Spilt Works' Archie Hamilton. They definitely warrant a post for your consideration.
You perhaps deliberately skipped RockIt and its offshoot the Summer Music Conference last year. One may - okay, everyone does - have issues with the sponsor/venue, Bonbon/Dino Beach, but they were nonetheless successful events with some great performances.
RockIt 2007 was a split-off of 1234 in 2006: two of the main organizers, Frank Fan and Wu Jun, amicably went separate ways. Both were very diplomatic about the split, and Wu Jun never claimed (to me at least) that RockIt was year two of 1234, but he got nonetheless some abuse from certain third parties. However, having interviewed both Wu and Fan, and covered both events, I think that RockIt can be as fairly considered 1234 v2 as the actually-named 1234 v2, given that it actually happened... Regardless, we'll see what happens to both in non-Limp Icks years, as well as what impact the Shibo ends up having on local culture - nourish vs squish.
The Shanghai Tourism Festival has done well sometimes, suprisingly so, like in 2003 when it opened with a line-up of Cui Jian, The Honeys, and Crystal Butterfly.
And here's Archie:
We're actually just about to send out a press release about the next steps for Split. Like everyone else, we've had the same sort of problems with getting anything licensed, so we've pretty much decided to write off 2008. We have, however, just come back from a road trip to 2nd tier cities with PK14, Queen Sea and local support in each city, which was pretty rad. Managed to fly under the radar until Xi'an, when the police caught up with it all. You can read more at www.dazeddigital.com and search for Converse Love Noise in English or lualua.blogbus.com for Chinese.
I live in hope that the next few months will be a return to the upward curve. We're trying to get some money together for the Rockkid festival at Songjiang which has been pulled through lack of funding, and as I said, there will be some more news on other stuff soon. Just someone give us a decent venue in Shanghai with reasonable management and we could start doing so much more. In the interim, keep up the great work everyone. It's a labour of love, but it will work for us eventually.
And here's Lisa again to end on a positive:
What matters now is that ther is a critical (probably too critical!) mass of musicians, fans, media, etc, who will strive and revive no matter what happens. For all my nostalgia for the intimacy of the late 1990s scene, I am flabbergasted and giddy about the energy today. The obstacles remain, but the momentum is ever greater.
Venues come and go. Bands come and go. That shit happens is kinda par for course by now. But the institutional memory is finally here, the community support, for bands and for venues is permanent, and developing really excitingly. Things are finally, finally congealing, and it is heart-breakingly awesome.