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AV Club crosstalk on festivals

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candy monster
Before we get going with this link, let me remind you that the place to get all your China festival news is China Music Radar. So check it out.

So. I don't really like festivals.  They are shit for seeing live music and the other aspect - the experience / hang out - rarely comes together as it should for many reasons. 

But, instead of ranting about it, I'm going to link this amazing AV Club discussion (text) on it that just came out:


Here's the opening:

Every summer I face the same no-win situation: Do I man up and set aside my instinctual aversion to outdoor music festivals, which I've come to associate with overstuffed and B.O.-heavy crowds, wallet-killing concessions, poor sound, and even worse sightlines? Or do I surrender to sanity and stay home, which will inevitably make me feel like I'm missing something, especially after I read all the reviews online about how "mind-blowing" and "awe-inspiring" such-and-such band was. Really? You really thought it was that good after standing in flip-flops in the punishing sun for eight hours in a sea of awful, inconsiderate drunks? Is it possible that I actually hate live music?

My Ren Hang 任航 prints

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There's a certain amount of crossover between the indie music scene in China and more adventurous young artists too. They are in the same boat, environment-wise. Ahem.

It's a natural relationship with lots of high profile examples. Popil doing the PK14 and Hard Queen shirts. Bigger Bang's Pupi is a renowned artist. Kaine Lv's mural at Yuyintang and her work on their flyers, now at Splitworks. You could go on and on, there's so much good stuff. I'm not going to track down and link all this stuff so I'll throw a link this way.

One of my favorites is Beijing based photographer Ren Hang, who does stark urban China images that often feature sterile apartments, naked bodies in odd positions ... I'm not an art critic obviously but he's very good at externalizing the urban experience here and has a streak of surrealism and rebellion in him. I dunno, if you are used to living in Chinese cities and hanging out then I think you see his work and it strikes a chord. So, anyway: I got in touch and bought a couple of prints and here they are (they still have packaging on them):


ren in my room

Where's Jake / Indie Everything

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Thumbnail image for by Wee Ling
About time for some general updates. 

So where's Jake. Poor Jake works very very hard for the nice people at Time Out magazine, of which he represents 25% But, he still blogs because that's how much he loves us all. Currently he's having a bit of a holiday with his dear old mum. Seriously. 

So, once he's back we'll start planning the next series of Podcasts and blog posts will flow again. Just remember we have the two blogs and one will always have something each week. 

Also, the stuff we've been doing has made me think a lot. There's the blogs and the pod, there was some events and some music and, as yet behind the scenes, there's long form writing too and even IF games. There was even a video about the 3 Million RMB Douchebag at one point.

I was also re-reading No Media Kings lately.

Why not watch Jim's slideshow Time management For Anarchists

So, I'm often reflecting on being at the edges of the global arts industry which itself is crumbling and being redefined by the net. I moan about how it's becoming a wild west for Ad People and PR but also heap praise on those who build communities and succeed on their own terms. 

We've reflected a bit on how much we've been able to do in our spare time with very little effort and funding and how it's based on helping each other and just doing it without expectation and letting momentum build naturally. It would only take a small step up to start putting out some really good stuff. Blah blah blah ...

... jump cut to ...

I'm thinking of adding to Kungfuology with a new blog called Indie Everything where i'll document all projects i'm involved in from blogging to the Pod to music to whatever and just drop all secrecy or whatever and list all the costs or equipment or facilities or methods we use ... or whatever. Then people who read it can have a real and practical stepping off point to do the same themselves. It's sort of our endowment as humans to be aware and express ourselves. The idea that we shouldn't do it if it doesn't lead to financial gain needs to be swept away for a while. Well, forever.

Why am I telling you all about this? I just wanted a chat. And, I think the blog should be open for everyone to share/post. 

More to come.
expo pav
Update: Yeah, it's April fool's day. I made it pretty obvious with the rickroll at the end. Have fun everyone.

Well. 

If you read the local rags on a regular basis you may know that all kinds of test-run events and kinds of Expo soft openings are starting up this week as organizers run around at the last minute trying to make everything work. There are also all kinds of videos and Expo related channels springing up and in need of constant filling.

Among the press feeding frenzy comes this incredible statement from a unnamed official, apparently a member of mayor Han Zhong's inner office. 

The statement lays out a proposed section in the China pavilion to be called "Shanghai Youth Culture is Adamant" which will showcase local artists and bands. No word yet on if this means venues will stay open or if this is intended to replace non-official acts during the Expo period. But surely it's a massive step. Incredibly they mention a band by name, The Mushrooms. Perhaps they heard of the Jue crosstalk event lately? Either way, could it be that Shanghai local pride is strong enough to trump even central policy?

Oh sh*t, Corey Haim 1971-2010

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corey haim comic store
OK, I am about to spoil the shit out of the (vampire) movie The Lost Boys, in case you haven't seen it. Well it was out in 1987, so come on.

So. Reports are in that Canadian actor Corey Haim has passed away from a suspected drug overdose. This is not surprising given his public history of meds addiction. 

Everyone has people they associate with a certain time of their lives and for me teens = Corey Haim because of the movie The Lost Boys. That and he's just 18 months older than me.

It's funny - and this is going to be divisive for others around my age, not to mention film fans - because practically every other famous 80's American studio pic that people get misty eyed about seems terrible to me when I revisit it. The movies of John Hughes, who also passed lately, are awful on so many levels especially the ones I loved. I can't watch Ferris Bueller's Day Off without wanting to hurt someone. I want to brick the TV when I hear the down here, it's our time speech from The Goonies. Raiders of the Lost Ark is borderline racist and the action sequences often make no sense.

lost boys
But The Lost Boys holds up - because it is an outstanding piece of film making.

No ... really. Every set piece and every beat that a big movie like that should hit is nailed with extreme prejudice.

The setting is perfect, a seaside fairground town, seen mainly by night. The first 30 minutes are a relentless barrage of perfectly judged scenes. Perhaps one of the greatest first acts in commercial cinema.

Flying in over the night ocean.
The boys on the carousel at night.
The People Are Strange montage of the town and the freaks and geeks who populate it.
The rock concert at the beach at night.
The comic book store.
The motorbike race out to the cliffs.
Michael drinking the blood in the underground lair.
The you are one of us scene on the railway bridge.

Another thing it gets dead right (pardon the pun) is the use of horror. This is one of those movies in which the horror is second to the other genre elements. Like the monster to Frankenstein or the Zombies in the mainly comedy Shaun of the Dead. When it does bring in the horror - it does it 300%.

The big reveal is not that the boys are vampires, we know that. The surprise is that they show Michael "who you are" by revealing what kind of vampires they are - the kind with monster faces that rend the flesh from their victims, bite their skulls open, spray the scene with gore and then toss the bodies onto a pyre.

When David (Keifer Sutherland) walks up from that scene and says "you will never grow old and you will never die ... but you must feed" ... I'm telling you ... fuck bullshit movies like Twilight. The Lost Boys is an unabashed entertainment pic but other true vampire pics like, say, Interview With The Vampire, don't get close to moments like that one.

In the middle of it all was little Corey Haim. As Sam, Micheal's little brother and observer to his journey to and from the dark side, Corey is supposed to be a kind of comic relief. But he was so much more than that. And it made him a star.

Read around the net, the articles, the blogs and the comments. See how many times you read this one:

"Death by stereo!"

R.I.P., bud.

798 demolitions are warnings for us all

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798-studio-demolished from Guardian
Update: See the comments for discussion about the accuracy of the Guardian article relating to the location of the demolitions/incident

The Guardian have reported on a shocking story from Beijing that brings home a certain issue here to the arts community.


Basically, landlords came to parts of 798 and told studio owners that developers were getting the land and they had to evict immediately. The artists, of course said no as they had contracts and leases ranging from 5 to 30 years on the buildings. They wanted to check the details first. Finally, fearing that the buildings may be demolished during the night on Sunday, they stayed over - and a gang of 100 masked men showed up with bats and knives. The photo shows the current situation.

I have recently written about the Expo and Top Floor Circus - 


- and one of the big issues in Shanghai regarding the Expo has been accelerated gentrification and demolitions. The band brought the song in question back partly as a reaction to the forcing out of 0093 studios. 

Let this story be a reminder, again, to those of us writing about the Expo and related issues, who also claim to support the arts here. There is a wider context and many issues. It is irresponsible and dangerous to report it while ignoring the negatives. Shame on anyone who is buying the hype and enthusiastically backing the brand. 

Fei Yue shoes: It finally happened

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feiyue shoes
Where to start with this?

The day has finally come. 

OK. Fei Yue shoes are Shanghai made canvas shoes that are simple, affordable and have for years been the staple shoe of sports practice in the area.

It is important to point out that while they look dated to us, they are not retro. They have just stuck with the same design from the start increasing price only with inflation. There has never been a break in production or a conscious choice to keep or exploit a dated design. Retro implies that a new product is made with an intentionally dated design because it gives it a unique look. Anyone who tells you they are retro is just lying.

I came to Fei Yue shoes through kung fu clubs, starting with when I trained at the Jing Wu centre in Hong Kou from 2001. However, I don't want to add on yet another misleading association. We should think of it more like this: I came to Fei Yue shoes through playing sports at local clubs with people on working class wages. Back then a pair was less than twenty CNY and now they fall somewhere between twenty-five and twenty-eight. That's fairly restrained when you look at other indicators for the same period. 

I don't like to think of Fei Yue's as cheap exactly. I think of them more as sane. They are locally made and don't feature by products of the meat/factory farming industries. This accounts for low prices and gives them the bonus of being the greenest shoes you can buy here. All this in a world where large shoe companies continually find nasty ways to keep their costs at all time lows while charging more and more to the customer. 

Now for the next chapter. For a while and from many different sources, Fei Yue have been the target of unscrupulous entrepreneurs whose eyes lit up with dollar signs when they saw the cheap prices. Some connections were fairly obvious, like the kung fu connection. People who trained kung fu here and found them to be cheap and practical started importing them to their club after returning home. In the early days though, this was considered no more than a sideline to the Fei Yue factory. A lot of that, you may be surprised to know, was with Japan. Next up though were those who wanted to resell them as a kind of designer retro brand and make big money from it. 

As soon as this happened the first time, a few years ago now and still kung fu themed with custom versions called shaolin and mantis, I could see the future. These guys were selling them overseas for upwards of 200 Euros. That's right, more than sixty times the Shanghai price. For a start. It's simply a microcosm of gentrification or any kind of yuppie plague. Come in on some cheap land or product and exploit it, eventually driving prices up and cutting out the original users who can't afford the new prices. Those working class wage people, you know, the majority. 

As a relevant aside here, my high street real estate agent was firebombed by Welsh activists for the same thing. That time involving holiday homes in North Wales. 

The problem, or tipping point, was obviously going to come when these re-brands started to catch on or be available in Shanghai itself. Even that was going to be tolerable as long as you could still dismiss the whole ridiculous situation by just buying them from local shops for true prices.

So. Here's the news. And this comes from three sources. My friends in the kung fu clubs who order direct, my local branch of East Sports (Dongfang tiyu) and Culture Matters on Dongping Road. The original design pictured above with the green triangle in the bottom are now no longer being made. Once they run out, they are out. The staple shoe of Fei Yue is now being replaced with the red circle in the sole model. It looks basically the same but has a thicker sole and supposedly better quality laces. This is taken directly from their export model.

The result - an immediate doubling of the starting retail price to over 50 CNY.

Who knows where it will go from here. That's Shanghai just ran a huge cover feature on Chinese retro brands, predictably free from any kind of analysis or wider context. I personally think it's a sign that the last vestiges of sane cheaper living in downtown Shanghai are going. Not that there's much left.

I just want to mark this occasion with a message to all of those who participated in the gentrification of my shoes. From the people who took Fei Yue's and re marketed them as a retro brand at sky high new prices to the writers and blogs who big upped these new brands ... ...

f*ck you all, there are people here who need those shoes to be cheap, you selfish w*nkers



End note: I have to star out all my curse words because of my spam filter. If I didn't have to, I wouldn't.

Howard Zinn: 1922-2010

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zinn quote
Howard Zinn passed away yesterday. Maybe you don't know him or have only heard of him in passing but compassionate and decent people everywhere have lost one of our brightest lights.

Most people will know him through his masterwork:


It redefined history away from the sickening, oppressive narrative of 'great men' and rulers, of victors law.  It shined a light on our history much the same as did Edward Said in his work Orientalism. Edward is also gone now. 

Well, we still have another of our own great people in Amy Goodman and her show Democracy Now is where i'll take the tribute from:

Howard Zinn (1922-2010): A Tribute to the Legendary Historian with Noam Chomsky, Alice Walker, Naomi Klein and Anthony Arnove

Let me take this opportunity to urge you to watch Democracy Now. They have a show every weekday, it's an hour long and free at the site. You will see real journalism that asks the right questions and then listens. Pretty much all other news outlets are shallow and agenda based in comparison.

Let's finish with a Howard quote that I took from Mickey Z's write up:

The future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.

More New Year's misery thoughts

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derrick jensen in Toronto
Well, one more for the road then back to music I suppose.

I quoted activist Derrick Jensen in that last post. Then it occurred to me that people generally don't know him. Derrick is amazing. He is a prolific writer and possesses a brilliant mind. He is also a qualified mining engineer and has quite the CV. He is one of the most significant writers of our time.

Check it out here and also buy his books from here

So, in his two part book, Endgame, Jensen lays out his famous premises. There are twenty of them, so here you are:

Premise One: Civilization is not and can never be sustainable. This is especially true for industrial civilization.

Premise Two: Traditional communities do not often voluntarily give up or sell the resources on which their communities are based until their communities have been destroyed. They also do not willingly allow their landbases to be damaged so that other resources--gold, oil, and so on--can be extracted. It follows that those who want the resources will do what they can to destroy traditional communities.

Premise Three: Our way of living--industrial civilization--is based on, requires, and would collapse very quickly without persistent and widespread violence.

Premise Four: Civilization is based on a clearly defined and widely accepted yet often unarticulated hierarchy. Violence done by those higher on the hierarchy to those lower is nearly always invisible, that is, unnoticed. When it is noticed, it is fully rationalized. Violence done by those lower on the hierarchy to those higher is unthinkable, and when it does occur is regarded with shock, horror, and the fetishization of the victims.

Premise Five: The property of those higher on the hierarchy is more valuable than the lives of those below. It is acceptable for those above to increase the amount of property they control--in everyday language, to make money--by destroying or taking the lives of those below. This is called production. If those below damage the property of those above, those above may kill or otherwise destroy the lives of those below. This is called justice.

Premise Six: Civilization is not redeemable. This culture will not undergo any sort of voluntary transformation to a sane and sustainable way of living. If we do not put a halt to it, civilization will continue to immiserate the vast majority of humans and to degrade the planet until it (civilization, and probably the planet) collapses. The effects of this degradation will continue to harm humans and nonhumans for a very long time.

Premise Seven: The longer we wait for civilization to crash--or the longer we wait before we ourselves bring it down--the messier will be the crash, and the worse things will be for those humans and nonhumans who live during it, and for those who come after.

Premise Eight: The needs of the natural world are more important than the needs of the economic system.

Another way to put premise Eight: Any economic or social system that does not benefit the natural communities on which it is based is unsustainable, immoral, and stupid. Sustainability, morality, and intelligence (as well as justice) requires the dismantling of any such economic or social system, or at the very least disallowing it from damaging your landbase.

Premise Nine: Although there will clearly some day be far fewer humans than there are at present, there are many ways this reduction in population could occur (or be achieved, depending on the passivity or activity with which we choose to approach this transformation). Some of these ways would be characterized by extreme violence and privation: nuclear armageddon, for example, would reduce both population and consumption, yet do so horrifically; the same would be true for a continuation of overshoot, followed by crash. Other ways could be characterized by less violence. Given the current levels of violence by this culture against both humans and the natural world, however, it's not possible to speak of reductions in population and consumption that do not involve violence and privation, not because the reductions themselves would necessarily involve violence, but because violence and privation have become the default. Yet some ways of reducing population and consumption, while still violent, would consist of decreasing the current levels of violence required, and caused by, the (often forced) movement of resources from the poor to the rich, and would of course be marked by a reduction in current violence against the natural world. Personally and collectively we may be able to both reduce the amount and soften the character of violence that occurs during this ongoing and perhaps longterm shift. Or we may not. But this much is certain: if we do not approach it actively--if we do not talk about our predicament and what we are going to do about it--the violence will almost undoubtedly be far more severe, the privation more extreme.

Premise Ten: The culture as a whole and most of its members are insane. The culture is driven by a death urge, an urge to destroy life.

Premise Eleven: From the beginning, this culture--civilization--has been a culture of occupation.

Premise Twelve: There are no rich people in the world, and there are no poor people. There are just people. The rich may have lots of pieces of green paper that many pretend are worth something--or their presumed riches may be even more abstract: numbers on hard drives at banks--and the poor may not. These "rich" claim they own land, and the "poor" are often denied the right to make that same claim. A primary purpose of the police is to enforce the delusions of those with lots of pieces of green paper. Those without the green papers generally buy into these delusions almost as quickly and completely as those with. These delusions carry with them extreme consequences in the real world.

Premise Thirteen: Those in power rule by force, and the sooner we break ourselves of illusions to the contrary, the sooner we can at least begin to make reasonable decisions about whether, when, and how we are going to resist.

Premise Fourteen: From birth on--and probably from conception, but I'm not sure how I'd make the case--we are individually and collectively enculturated to hate life, hate the natural world, hate the wild, hate wild animals, hate women, hate children, hate our bodies, hate and fear our emotions, hate ourselves. If we did not hate the world, we could not allow it to be destroyed before our eyes. If we did not hate ourselves, we could not allow our homes--and our bodies--to be poisoned.

Premise Fifteen: Love does not imply pacifism.

Premise Sixteen: The material world is primary. This does not mean that the spirit does not exist, nor that the material world is all there is. It means that spirit mixes with flesh. It means also that real world actions have real world consequences. It means we cannot rely on Jesus, Santa Claus, the Great Mother, or even the Easter Bunny to get us out of this mess. It means this mess really is a mess, and not just the movement of God's eyebrows. It means we have to face this mess ourselves. It means that for the time we are here on Earth--whether or not we end up somewhere else after we die, and whether we are condemned or privileged to live here--the Earth is the point. It is primary. It is our home. It is everything. It is silly to think or act or be as though this world is not real and primary. It is silly and pathetic to not live our lives as though our lives are real.

Premise Seventeen: It is a mistake (or more likely, denial) to base our decisions on whether actions arising from these will or won't frighten fence-sitters, or the mass of Americans.

Premise Eighteen: Our current sense of self is no more sustainable than our current use of energy or technology.

Premise Nineteen: The culture's problem lies above all in the belief that controlling and abusing the natural world is justifiable.

Premise Twenty: Within this culture, economics--not community well-being, not morals, not ethics, not justice, not life itself--drives social decisions.

Modification of Premise Twenty: Social decisions are determined primarily (and often exclusively) on the basis of whether these decisions will increase the monetary fortunes of the decision-makers and those they serve.

Re-modification of Premise Twenty: Social decisions are determined primarily (and often exclusively) on the basis of whether these decisions will increase the power of the decision-makers and those they serve.

Re-modification of Premise Twenty: Social decisions are founded primarily (and often exclusively) on the almost entirely unexamined belief that the decision-makers and those they serve are entitled to magnify their power and/or financial fortunes at the expense of those below.

Re-modification of Premise Twenty: If you dig to the heart of it--if there were any heart left--you would find that social decisions are determined primarily on the basis of how well these decisions serve the ends of controlling or destroying wild nature.

New Year ... bah humbug

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consumer-activism
Well, it was a happy New Year and we all had a right old time at the Mushrooms gig, despite a brief 30 minutes or so while the police inspected the premises. 

However, outside the world of music is quite another world that we shouldn't forget about. If we had a good year and had a job and some mobility, food on the table and all that - then we were in the minority.


Forget Copenhagen or if you believe in man made global warming or not. Even if it's not true, there's still enough pollution, deforestation and extinctions (100 species a day) to crash our eco-system in no time at all. 

What's more, they go largely unpunished. Know what a superfund site is? There's even a list and maps. Check it out. If you or I took a truck load of barrels with that amount of toxic waste in them and started dumping them into a river, we'd be locked up in a jiffy and made an example of. But those guys are all good. When you look at the delegations to meetings like Cophenhagen, you're looking at the offenders and enablers, not the saviours.

Almost half of all deforestation in the global south comes from the cattle industry. Beef and leather. Not to mention the emissions. So if we all go veggie, there's no need for leaders to blow more meetings. Here's 10 more good reasons. In fact, if we all went veggie, rode bikes to work and stopped buying so much junk and luxury goods, a lot of problems would go away and the death-race consumer system would collapse.

Also, war inc. plods on. The US military is the world's biggest, the world's biggest polluter, biggest domestic taxer and the world's biggest killer. The UK are not much better. And they are lying b*stards too. As the Guardian runs this story on Iran and has the balls to put a footnote on it stating there's no evidence, consider this on the last Iran incident story in The Times: It was made up.

So here's my New Year's message to you all, courtesy of Derrick Jensen:

Every morning when I awake I ask myself whether I should write or blow up a dam. I tell myself I should keep writing, though I'm not sure that's right. I've written books and done activism, but it is neither a lack of words nor activism that is killing salmon here in the Northwest. It's the dams. Anyone who knows anything about salmon knows the dams must go. Anyone who knows anything about politics knows the dams will stay.

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